October's Book of the Month--The Ofrenda That We Built

October’s Book of the Month is THE OFRENDA THAT WE BUILT, written by Jolene Gutiérrez and Shaian Gutiérrez, and illustrated by Gabby Zapata.

This sweet picture book is a rhyming look at the way one family builds an ofrenda for Día de Muertos. Included, among other things, are “cloth, embroidered by Amá,” “candles, glowing and bright,” tamales “that Papi prepares for the spirits to eat,” and “photos, reminders so dear.” Step by step, THE OFRENDA THAT WE BUILT weaves together all the many items this family gathers with care and tenderness to honor their “loving abuelo, who’s no longer here.”

Clever, cumulative text based on The House that Jack Built is enriched by vibrant, colorful, cartoony art which brings the complex scenes to life. There’s plenty of backmatter, too. It’s a joyful, heartfelt tribute to family and tradition that’s beautifully done!

--Lynn

Shelf Awareness--We Do Not Welcome Our Ten-Year-Old Overlord

YA Review: We Do Not Welcome Our Ten-Year-Old Overlord

We Do Not Welcome Our Ten-Year-Old Overlord by Garth Nix (Scholastic Press, 240p., ages 9-12, 9781339012209, October 15, 2024)

Garth Nix's We Do Not Welcome Our Ten-Year-Old Overlord is highly believable, edge-of-your-seat science fiction, perfectly crafted for a middle-grade audience, in which one boy's too-smart-for-her-own-good 10-year-old sister finds an alien object capable of mind control in "an alternate version" of 1975 Canberra, Australia.

Most evenings, 12-year-old Kim Basalt and his best friend, Bennie Chance, along with their younger sisters Eila and Madir, ride bikes to a nearby lake. One night, after the sun disappears "for a fraction of a second," Eila wades into the water and pulls out a perfectly round, golden globe covered in mud. Kim tries to wrestle the object away from Eila, but he's zapped by the "horrible sensation that somethingwas entering his brain," at the same time a voice in his head insists "let me in." Kim resists ("heck no!") and breaks free, but Eila, bossy and "super, super smart," pronounces the object to be a friend, and Madir worshipfully agrees it's "perfectly safe." Kim knows the globe is dangerous and threatens to tell their parents, but the globe disguises itself as a "harmless and ordinary" basketball by the time the kids get home.

Kim can't stop worrying about the globe, but Eila assures him Aster--"she is a person, not a 'globe thing' "--will listen to her and "can help." Eila sneaks out of the house one night and Kim follows to find Eila illuminating a massive ant nest with the globe; the next morning, the ants that had been touched by the light are dead. Later, Kim notices a "thin, perfectly circular layer of cloud directly above them, covering the city." When Bennie's parents start getting along, a sick neighbor is suddenly healed, and Kim's parents buy the color TV they never wanted, Eila finally admits to Kim that Aster is interfering with minds.

Nix (The Old Kingdom Series; The Lefthanded Booksellers of London) brings his consummate skill with speculative fiction to this captivating piece of alternate history. His introduction of a seemingly innocuous object with the potential to throw the known world into chaos is a familiar device, but in Nix's hands it's particularly effective. The ever-increasing tension should keep readers mesmerized, as they struggle with the question at the heart of this clever book: whether mind control is ever okay, even if it brings about "good" changes. --Lynn Becker, reviewer, blogger, and children's book author. Originally printed in Shelf Awareness Pro.

Shelf Awareness--No More Señora Mimí

PB Review: No More Señora Mimí

No More Señora Mimí by Meg Medina, illus. by Brittany Cicchese (Candlewick, hardcover, 32p., ages 4-7, 9781536219449)

Newbery Medal winner Meg Medina's No More Señora Mimí is a tender portrayal of a significant change and is every bit as entertaining as it is heartfelt.

Every morning, Mami drops Ana at señora Mimí's apartment. Today, Ana is excited because Abuela is coming to live with them. This means no more señora Mimí watching Ana while Mami is at work. Ana is thrilled that she won't need a babysitter anymore--no more "vamos, Ana... we're almost out of time" when Ana is tying her shoes or being told "there's no time to play" when there are leaves to kick on the way to school. But when classmate Tynisha points out how lucky Ana is, Ana begins to worry: Does no more babysitter mean "no more señora Mimí?" Ana is afraid she won't be able to tell her caregiver the best and worst parts of her day or buy peanuts with her to feed the squirrels. Luckily, señora Mimí understands and assures Ana that they will still be neighbors. Indeed, even better than that, Ana, Abuela, and señora Mimí "can all become good friends."

Medina (Merci Suárez Changes Gears) crafts an earnest text that unfolds in present tense and delivers a clear, compassionate storyline about dealing with change. Illustrator Brittany Cicchese (The Kitten Story) features warm brown skin tones, tons of textures, thick outlines, and vibrant yellows, blues, purples, and greens in her digital art. Cicchese depicts expressive faces and body language and uses lighter, less distinct backgrounds, keeping the visual focus on the characters. The result is a sweetly affectionate depiction of a child's deep bond with her caregiver. --Lynn Becker, reviewer, blogger, and children's book author. Originally printed in Shelf Awareness.