Wednesday, November 15, 2017

November Recommendations

TRAIN I RIDE, by Paul Mosier, brings us Rydr’s story as she heads east from California via Amtrak. Her mother is dead, her Gramma just died, and she’s bound for a distant relative who lives in Chicago. It’s an emotional journey full of longing, regret, plenty of fun, and some very clever antics courtesy of a unique and absorbing main character. (MG)

ALL THE WIND IN THE WORLD, by Samantha Mabry, tells of Sarah and James who harvest maguey (a plant that gets made into mescal and tequila) in New Mexico. A sudden dust storm and a terrible accident send the two fleeing east, to work at a supposedly cursed ranch called The Real Marvelous. It’s got gorgeous, lyrical prose, fully fleshed out characters and setting, romance, and a touch of magic. Long-listed for the National Book Award this year, this will be a Book Talk discussion book early next year. (YA)

In JANE UNLIMITED, by Kristin Cashore (author of Graceling), Jane has floundered since her beloved Aunt Magnolia was lost while on a photography expedition to Antartica. Because of a bizarre promise, Jane accepts an invitation to the mansion of her former writing tutor, where she is confronted with five life-changing answers to a single question. An intelligent, quirky literary treat. (YA)

ALL THE CROOKED SAINTS, by Maggie Stiefvater, takes place in the "dark, true-dark" of the desert, where 18-year-old Beatriz Soria and her cousins transmit their pirate radio show from the back of a box truck. The entire Soria family are performers of miracles, and pilgrims flock to their ranch, where the darkness inside a person becomes visible. Read it for the language, for the way Stiefvater effortlessly weaves the narrative back and forth in time, and to savor the magic she conjures. (YA)

Also, two great paranormal series have just wound up:

LOCKWOOD & CO., by Jonathan Stroud (Bartimaeus books), caps off a terrific five book run with THE EMPTY GRAVE, an extremely satisfying wrap-up to this series about ghosts and other specters running amok in present-day England. It’s witty, snarky, charming, filled with action, and maybe a bit gross. Teenage Psychic Detective Agent Lucy Carlyle’s sidekick is a ghost in a jar. Not to be missed! (Upper MG)

And JACKABY, by William Ritter concludes in epic fashion with THE DIRE KING. This quartet of novels takes place in the 1890s and features eccentric detective R. F. Jackaby (who rightly understands the supernatural are everywhere). He is ably assisted by Abigail Rook from their offices in New Twiddleham, New England. There’s also shape-shifting police detective Charlie Cane and the very ghostly Jenny Cavanaugh, owner of the New Twiddleham building. It’s Sherlock Holmes meets Harry Potter. (YA)

--Lynn

Thursday, November 9, 2017

Shelf Awareness--The Secret of Nightingale Wood

MG Review: The Secret of Nightingale Wood

The Secret of Nightingale Wood by Lucy Strange (Chicken House, $16.99 hardcover, 304p., ages 8-12, 9781338157475)

When 12-year-old Henrietta Abbott (who has "always been Henry") and her family move to a large old home in the English countryside called Hope House, it's supposed to be a fresh start. But Mama is still "confused and upset" by the tragic death of Henry's older brother, Robert, and Father escapes by taking a job abroad. Henry and her baby sister (affectionately called Piglet) are looked after by Nanny Jane, while Mama is cared for by Doctor Hardy, who keeps her sedated with increasing doses of his "special medicine." Asserting that Mama is too ill to see her remaining children, the doctor chases Henry away.

Henry explores nearby Nightingale Wood, and stumbles upon a fragile woman living in a caravan whom she comes to know as Moth. Even though Moth has her own sadness, she understands that to "lighten the darkness," Mama "needs stories, music, sunshine, birdsong, the smell of a rose, the smile of her daughter." Even with the growing certainty that Mama will be committed to Helldon, "a ghastly gray tomb of a building," Moth helps Henry believe "there will be a way to help."

Literature and fairy tales allow Henry to make sense of her world. Moth is like "a forgotten, fairy-tale princess," while Doctor Hardy "fill[s] the doorway like an ogre." Mama, trapped in her room, is Rapunzel, and numerous literary nightingales allude to freedom. In her debut novel, Strange tells a lovely, extraordinarily enchanting coming-of-age tale. Henry is determined to put things right, even while Dr. Hardy and the other adults begin to question her own sanity. As the cook's husband puts it, "we've all been tossed by the waves... the [t]rick is not to sink." --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI. 

Discover: When her family moves to the English countryside after the death of her older brother, 12-year-old Henrietta Abbott struggles to put her increasingly fragmented world back together.

Saturday, November 4, 2017

Novermber's Book of the Month--Clayton Byrd Goes Underground

November’s Book of the Month is the National Book Award-nominated middle-grade novel CLAYTON BYRD GOES UNDERGROUND, by Rita Williams-Garcia. She's also the Newbery Honor, Scott O’Dell and Coretta Scott King Award-winning author of One Crazy Summer and the sequels P.S. Be Eleven and Gone Crazy in Alabama.

All Clayton Byrd wants is a twelve bar solo when he plays blues harp with his grandfather, Cool Papa Byrd, and the Bluesmen in Washington Square Park. When Cool Papa dies, Clayton loses so much--his best friend, someone he could talk to, tell anything, ask anything—someone who made him feel like a person instead of a little kid. Clayton’s mother has never approved of her father or his blues playing, and when Cool Papa dies, she gets rid of all his things, including guitars and mementos that were meant for Clayton. Not only is Clayton furious, he feels completely lost. With no one to turn to, he grabs his now-confiscated harmonica, cuts school, and heads for Washington Square Park, hoping to hook up with the Bluesmen and join them when they hit the road. His adventures on the subway help him figure out a few things about himself, his family, and what it means to be “cool.” A little jail time and a sympathetic ear from his dad also help to turn things around!

Most central to this story is the relationship between Clayton and Cool Papa Byrd, the grandfather he idolizes, but the scope also widens to address a complex web of dynamics among other members of the family, including his mother, Ms. Byrd, and his father, Mr. Miller. Given the low page count, this examination is remarkably nuanced.

Williams-Garcia lets music define the deep bond that Clayton enjoys with his grandfather, and the way this shared love informs his entire world view. She infuses her prose with plenty of “rhythm and slow-burning funk” in this novel of loss, forgiveness, and the “deep-down cry” of the blues.

--Lynn