Klassen’s shrewd, collage-like illustrations perfectly match the droll text. For the “interior” scenes, he uses the dark browns and black of the wolf’s belly to cast a spotlight on the absurd antics in the foreground. When the action moves outdoors, he plays with light and dark there, as well. Like a previous Barnett/Klassen collaboration, EXTRA YARN, the story of THE WOLF, THE DUCK & THE MOUSE feels old fashioned, but with a modern, smart-alecky twist. Like a sardonic relative of an old pourquoi story or fairy tale, with hints of Peter and the Wolf. The subtitle of this witty E. B. White Award-winner could easily have been “Why the Wolf Howls at the Moon.”
--Lynn
PS—it’s really interesting to me how the emotion is conveyed in this book—the eyes are so expressive, these characters don't even have mouths most of the time! If you want to study how to infuse gobs of feeling into your characters, check out the rest of Klassen’s work and also the other master of this, Mo Willems.
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