May's Books of the Month

May’s Books of the Month are two distinctive biographies, both illustrated by Lauren Soloy.

The first, TOVE AND THE ISLAND WITH NO ADDRESS, is written and illustrated by Soloy. It describes how, the summer when she is seven, Tove Jansson and her family pack a boat with what they deem “essential” and “[move] to an island with no address.” There aren’t many people on the island, but there is plenty for young Tove to do, including “dangerous things, boring things, digging things, exploring things…” all of which she sets out to accomplish on the very first morning. She “visit[s] the grotto where her secret friend live[s],” offers to take his daughters for a walk, and gets caught in a terrible storm—during which the girls blow away! The book is atmospheric, fantastical fun, and hints at the creative mind of the woman who eventually was responsible for the wonderful, classic Moomin books. Back matter gives a bit more context, and Soloy’s text gets us into Tove’s head nicely.

The second, A TULIP IN WINTER: A STORY ABOUT FOLK ARTIST MAUD LEWIS, is written by Kathy Stinson and illustrated by Lauren Soloy. Young Maud is a content child, playing with her brother, “stroking the cats, listening to music, and playing piano.” But other kids tease her “for her crooked walk, and how small she [is].” As her fingers grow more stiff and bent, she turns from music to painting, and, as she grows up, “colour flow[s] through her days.” But adulthood is hard for Maud. No one will hire her, and after her parents die she becomes a live-in housekeeper for the “gruff as a billy goat” fish peddler Everett Lewis. Right away, she brightens the house with her colors, and when they run out, Everett scavenges some more. Maud and Everett get married, and drive around the countryside selling her paintings and his fish—until they have to sell the car because it’s too expensive. Through it all and until her death, Maud paints “all the beauty she had ever seen in nature.” Back matter here, too, is welcome for context.

In both books, Soloy’s colors are strong and lush, employing descriptive black outlines as needed, to achieve her moody-yet-whimsical, solemn-yet-mischievous, decidedly enchanting digital artwork. These are welcome additions to the picture book biography genre!

--Lynn