Shelf Awareness--Fire with Fire

YA Review: Fire with Fire

Fire with Fire by Destiny Soria (Houghton Mifflin Harcourt, 432p., ages 12-up, 9780358329732)

Destiny Soria's beguiling tale of dragons and their would-be slayers, Fire with Fire, delves into the worrisome problem of what might ensue when prevailing wisdom turns out to be wrong.

Seventeen-year-old Dani really wishes she could be a "normal teenager," but she comes from a "legendary family of dragon slayers" responsible for ridding the world of dragons and keeping their existence a secret. She puts up with training, tracking and lessons on ancient weaponry because "that's what it mean[s] to be a Rivera." One evening, Dani opts to attend a high school bonfire instead of eating dinner with her parents, her older sister, Eden, and a pair of sorcerers. At the fire, Dani runs into her ex-best friend who left town after the pair kissed. Dani flees and, because she can't go home yet, pulls over to waste some time--and finds herself face-to-face with a dragon. Despite all her training, the dragon is poised to burn her to a crisp when Dani and the creature experience "a strange, terrible connection." The two have a "soul bond" that puts Dani completely at odds with her family's legacy and with Eden, whose growing interest in sorcerers might potentially be even more troubling than Dani's newfound ability.

Soria's imaginative dragon tale is full of action. Soria (Iron Cast) offers a new take on dragon lore, which she firmly grounds in an inclusive, contemporary setting featuring a diverse cast, an extensive network of Latinx dragon slayers, a protagonist who embraces her bisexuality and a dragon with a very dry sense of humor. Add in some evil sorcerers and a hot crush or two, and readers looking for engrossing fantasy should be extremely pleased with this offering. --Lynn Becker, reviewer, blogger, and children's book author.

Discover: Dragon slayer-in-training Dani Rivera questions everything her family stands for when she unwillingly forms a soul bond with a dragon in this exciting, contemporary take on dragon lore.

Shelf Awareness--Interview with Francisco X. Stork

Francisco X. Stork: On Creating Courage, Empathy and Hope

Francisco X. Stork is the author of Marcelo in the Real World, a recipient of the Schneider Award. The Last Summer of the Death Warriors received the Elizabeth Walden Award. The Memory of Light received four starred reviews and the Tomás Rivera Award. His novel Disappeared is the 2018 recipient of the Best Young Adult Award from the Texas Institute of Letters and a Walter Dean Myers Award Honor Book. Illegal, the sequel to Disappeared, received the In the Margins Book Award and the 2020 Best Young Adult Book from the Texas Institute of Letters. Here he discusses his new book, On the Hook (Scholastic), how he adapted it from an earlier work and the audience he is hoping to reach. He lives outside of Boston with his wife, with whom he has two children and four grandchildren.

Would you tell us about the process of revisiting/rewriting your first novel to create On the Hook?

I guess it started with the sense, after the earlier work came out, that I had not fully tapped the potential of the story and the characters. Years later, when the opportunity presented itself, I jumped at the opportunity to create a totally new story but still using the same setting and the names of the old characters. It was a little like writing fan fiction, only the characters from the previous work had to become more vibrant and complex.

Why do you think your story is so different this time around?

I wanted to create a new story that took into account how the world has changed in the past 15 years. The emotion we call hatred, which in its pure form is basically the desire to kill or hurt another human being, seems more prevalent, more intense, more acceptable today. It is something that has become okay to carry within us so long as we don't act it out. But, of course, we do end up acting hatred out in ways that are hurtful to others and to ourselves. The hatred that Hector is hooked on reflects the hatred that has so comfortably made its way into our hearts. The newness of the story reflects the fact that I have written eight other books since then and I know more about the craft of writing for young readers than I knew then. Hopefully, I am also a little bit wiser.

Hector changes a lot over the course of the novel. Can you talk about his choices and his growth as a character?

Hector does grow in the novel, but his growth is a kind of one step forward and five steps backward. Hector, the A-student, the brilliant chess player, the engineer-to-be, decides to become a badass in order to avenge his brother's death at the hands of Joey. Hector does all he can to become evil. He makes one bad choice after another, while Joey, the real evil character in the novel, begins to make choices that are good for him. Hector has to reach a kind of rock bottom of evil, before he can grow into someone who is aware of who he is and that he is responsible for what he does.

Why does it take catastrophe and a desire for revenge to motivate Hector to act?

I think of growth and maturity as the decision to create the person we want to be. This is a very scary thing to do and most of us would rather be whatever else others want us to be. It happens that sometimes life sends us a catastrophe, like it did in Hector's case, in order for us to wake up and start becoming who we are meant to be. Hector thinks of himself as incapable of courage, as a coward, until he is so disgusted with himself that he must act. The actions he takes are clumsy and more hurtful than helpful, but he has set in motion the kind of agency that will eventually take him to the courage of being his ordinary self.

Would you say empathy and justice are fairly central to all of your work? if so, why?

Yes. Empathy is a goal in the sense that my characters are usually marginalized youth. I write so that young readers begin to understand what it is to live with the social or mental barriers that create marginalization. But I have to be careful with the concept of empathy because, despite their marginalization, I want my characters to serve as role models and to be admired rather than to invoke sympathy, or worse, pity. To want to have my characters admired doesn't mean that they are all good. Rather, I want them to be admired for their hope, for their struggle against difficult circumstances, for their effort at becoming free human beings who choose their destiny. The portrayal of justice in my work realistically and without judgment presents the barriers that are preventing my young characters from being free and from growing. If I want to write about how we become human, then I must also write about the systems, the laws, the social attitudes that are keeping my characters, and us, from becoming human.

What do you hope your readers will take away from this story?

When I was writing On the Hook, I kept in my mind's eye a young boy who was at risk of getting swallowed in a cycle of violence. I wanted to write a book that was real to him. A book that he found meaningful and that maybe made him look inside of himself and see the incredible courage that is needed to live a life that is responsible to self and others.

Is there anything else you'd like readers to know about On the Hook?

It's a serious book, as you can see from the questions and answers above. But it is also an action-packed, funny and hopeful book that gave me a lot of joy to write. I hope that in addition to the seriousness, you also find the joy.

Shelf Awareness--On the Hook

YA Review: On the Hook

On the Hook by Francisco X. Stork (Scholastic Press, 304p., ages 12-up, 9781338692150, May 2021)

In On the Hook, Francisco X. Stork (Marcelo in the Real World) details the surprising and thoroughly engrossing transformation of Hector Robles, a quiet, chess-loving high school student who becomes a reform school inmate pursuing justice on his own terms. This novel is an adaptation of Behind the Eyes, the author's first book, and a deeper dive into the experiences of one particular character: Hector. The teen's travails offer much to think about regarding empathy, revenge and cowardice. It is a story that is sometimes amusing, sometimes difficult, but always heartfelt and riveting.

Ever since his father died, 16-year-old Hector has lived in the "stupid, miserable housing projects" of El Paso, Tex., with his mom and older brother, Fili. His best friend and chess club teammate, Azarakhsh Pourmohammadi (Azi), lives there too. Hector and Azi have big plans for the future that begin with getting scholarships so they can go to college, Azi to become a doctor and Hector an engineer. Chess team captain tryouts are coming up and Azi insists Hector would make a better captain for next year's team than she would, encouraging him to try out even though she teases him that she is "smarter than [him] in most ways."

But Hector is shy and thinks he's no leader. When classmate Joey and Joey's older brother, Chavo ("their local drug dealer"), begin singling out Hector with "hostile stares and belligerent gestures," Azi isn't fazed. Hector, on the other hand, tries desperately to avoid the dangerous pair, believing his actions to be those of "a scared rabbit." Joey corners him at work and Hector, frozen in fear, fails to stop him as Joey uses Hector's own boxcutter to carve a "C"--for "cobarde"--into Hector's chest. What hurts the most is that Hector, terrified and humiliated, is sure he truly is a coward and the proof of it is now branded on his chest. Compounding the shame is Hector's memory of his own father facing imminent death with courage; Hector believes that when he was confronted, he acted like a "gusano"--a worm.

Then Fili tells Hector he's dating Chavo's ex-girlfriend, Gloria. Hector's sense of imminent danger overshadows any happiness he feels for his "clueless" brother. Hector's terror increases until the day he's scheduled to read a deeply personal essay about his father to the Lion's Club. He breaks down in tears before finishing, overcome with shame; Fili and Gloria offer to drive him home. When Fili stops the truck in a church parking lot so the couple can tell Hector that they are engaged, Chavo and Joey suddenly appear. Fili gets out to talk with Chavo "man to man," but during the ensuing fight, Joey grabs a baseball bat and bashes in Fili's head. Hector, galvanized by love for Fili, "is finally able to move": he puts the truck in gear and runs Chavo down.

In this moment, everything changes for Hector. All his previous problems are irrelevant. This "new" Hector is consumed with rage and single-minded in his determination to avenge his brother's death. Hector, who has good grades and recommendations from teachers, friends and family, is given the opportunity to stay out of reform school if he tells the judge he didn't mean to step on the gas--that it was all an unfortunate accident. But now that he's taken action, Hector refuses to go back to "his old coward self"--the new Hector is "hard and sharp like an ax," and he will make Joey pay, even if that means following his brother's murderer to reform school.

When Joey swings his bat and Fili topples, Hector's choices seem to move him farther from the person Azi, his family and he himself have always expected him to be and all his decisions seem to run counter to his own best interests. However, Hector feels he needs to do something about the disgust he feels for himself before he can leave the reform school and go home. To his credit, Hector never stops thinking, never stops learning and always tries to figure out what it means to act with courage. He takes his cues from his own deep understanding of chess, deciding that "courage [is] doing what need[s] to be done, even when you [are] afraid."

A note from the author explains that this book is "a new novel, but it contains some bones from an earlier novel," Behind the Eyes. About a year after that first YA novel of Stork's came out, he "visited a reformatory school... where the students were reading the book." On his way home, Stork writes, "I was filled with the sense that the book had not given the students all that it could have given them. The young men in the school had not fully seen themselves in Hector's fears and hopes and moral decisions." And so, Stork returned to Hector. On the Hook is not always an emotionally easy read but it is a captivating and significant work of literature. Stork masterfully balances the constructive aspects of Hector's struggle to find his own truth with the former good kid's caustic need for revenge, and contrasts them both with Joey's positive growth at the reform school. Tension mounts palpably through Stork's third-person narration, culminating in the story's powerful conclusion. This return to an earlier work is a glimpse into a tough, sometimes violent world that ultimately serves plenty of hope; in showing this, Stork has created a thought-provoking, thoroughly essential novel.--Lynn Becker.

June Recommendations

Novels:

THE BEAST AND THE BETHANY, by Jack Meggitt-Phillips, illustrated by Isabelle Follath, is the strange and snarky story of 511-year-old Ebenezer Tweezer, a “terrible man with a wonderful life.” Ebenezer needs to keep the beast in the attic fed, and, in exchange, the beast vomits up a potion that keeps Ebenezer alive. Ebenezer doesn’t have much of a conscience, procuring all manner of delicacies for the greedy beast—until the he’s asked to bring home a “juicy, plump little child” who turns out to be a bit less horrid than she first seems. This surprisingly endearing tale is reminiscent of Lemony Snickett and, like Bethany, should grow on readers. (MG)

THE GREAT SHELBY HOLMES and THE GREAT SHELBY HOLMES MEETS HER MATCH, by Elizabeth Eulberg, feature nine-year-old detective Shelby Holmes and her new neighbor and friend, eleven-year-old John Watson, who both live at 221 Baker Street in Harlem. Watson narrates as the pair get involved in tracking down a missing dog in the first book, and in the second they investigate a teacher at the Harlem Academy of the Arts who’s “acting weird. Really, really weird.” Both books are good, puzzling fun and there’s a third, THE GREAT SHELBY HOLMES AND THE COLDEST CASE, which I haven’t gotten to yet. (MG)

A STUDY IN CHARLOTTE, by Brittany Cavallaro, is a more mature twist on the Holmes stories than the Shelby Holmes middle grade described above. In the first of this four book series, when Jamie Watson gets a rugby scholarship to a small college in Connecticut, he meets Charlotte Holmes, who’s Sherlock’s great-great-great-grandaughter. and “the epitome of a Holmes.” She’s brilliant and moody and troubled. Charlotte and Watson become practically inseparable when a classmate is murdered in a scenario reminiscent of one of the cases their forebears investigated, and it seems they’re being framed for this new crime. It’s witty and wry and touching, with plenty of suspense. (YA)

Picture Books:

WISHES, by Muon Thi Van, illustrated by Victo Ngai, is a gentle, poignant account of the journey one Asian child and her family must take in leaving their home, told through the wishes of familiar objects. As the grandfather digs up a buried case, “the night wished it was quieter.” Three women in the kitchen pack food in a bag that “wished it was deeper.” When they wake younger siblings, “the dream wished it was longer.” Subdued illustrations give way to the brighter hues of a new tomorrow. It’s a stunning, deeply affecting work.

On the other hand, IT’S SO QUIET: A NOT-QUITE-GOING-TO-BED BOOK, written by Sherry Dusky Rinker and illustrated by Tony Fucile, is a silly, rhyming story about one “very sleepless mouse” who thinks it’s too quiet. His mama suggests he listen to the “small sweet sounds of nighttime.” But instead of whispering him to sleep, they get louder and louder. Snort! Bloop-bloop-bloop! A-whoooo! What a great read aloud!

SATO AND THE RABBIT, by Yuki Ainoya, is the strange and wonderful story of Haneru Sato, who one day “became a rabbit.” A series of short, sweet chapters describe how Sato the Rabbit waters his plants (a small pond blows water into Sato’s hose), does laundry (he sets sail with the perfect gust of wind), lights the night with a meteor shower, floats on a giant watermelon in the sea, finds a luminous puddle that’s a window to the sky, finds the world in a walnut and the taste of colors in forest ice. Don’t miss “sipping” these whimsical stories with Sato, “late into the night.”

--Lynn

June's Book of the Month--Firekeeper's Daughter

June’s Book of the Month is the captivating YA, FIREKEEPER’S DAUGHTER, by Angeline Boulley.

When Daunis's white (Zhaaganaash) maternal grandmother has a stroke, Daunis decides to stick around Sault Ste. Marie, support her mother, and attend college locally. She’s not an enrolled member of the Sugar Island Ojibwe Tribe like her father was, but she’s felt the tug of war between two worlds her entire life.

Daunis’s half brother Levi asks her to be “ambassador” for the cute new hockey player on the Sault Ste. Marie Superiors, and Daunis soon falls for New Guy (aka Jamie Johnson). But after best friend Lilly is shot by her meth-addicted on-again, off-again boyfriend, Daunis learns that Jamie is actually an undercover agent investigating a dangerous new strain of meth which may be originating in the community. Daunis grudgingly agrees to work with him as a confidential informant, though her goals increasingly diverge from those of the Feds. As the situation becomes more and more dangerous, Daunis realizes she truly doesn’t know who to trust.

FIREKEEPER’S DAUGHTER is a thriller with plenty of twists and turns. Boulley deftly controls the tension, amping it up in all the right places. In Daunis, she has created a strong character with plenty of smarts and compassion, one who readers will actively root for in both her romantic forays and as she struggles to get to the bottom of a mystery that’s ripping apart her community. The detailed depictions of Ojibway/Native American culture enrich the story tenfold, and leave readers with plenty to think about after the last page is turned.

This is one seriously good read!!

--Lynn